jueves, 24 de febrero de 2022
miércoles, 23 de febrero de 2022
Verdad y Sagrario. Fechas y horarios de repartos de túnicas y tallajes de los tronos.
#SábadoDePasión2022
🚨Fechas de tallajes y reparto de puestos para la Estación de Penitencia.
🗓️A partir del 2 de marzo
⌚️Lunes a Viernes: 18:00 a 21:00h
Sábado: 10:00 a 13:00h
⛪️Parroquia de San José Obrero (Barrio de Carranque)
lunes, 21 de febrero de 2022
Composición musical "Sagrario de Amor"
El compositor Christian Palomino Olías ha hecho entrega de las partituras de una pieza musical dedicada a nuestra titular mariana que será estrenada próximamente por la Banda de Música de la Esperanza.
sábado, 19 de febrero de 2022
jueves, 17 de febrero de 2022
Mañanas en San José Obrero.
Las inmensas cristaleras de la parroquia de San José Obrero en Carranque proporcionan una gran luminosidad al templo, casi deslumbrante en los días de más soleados. Estas fotos son de la capilla de Verdad y Sagrario de hace unos días.
domingo, 13 de febrero de 2022
Nueva Dolorosa de Willy Tadeo Layug.
La última obra que sale de su taller es una Virgen de la Soledad para las Islas Caimán.
En este enlace de la web La Hornacina pueden ver la noticia completa.
https://www.lahornacina.com/noticiasfilipinas3.htm
sábado, 12 de febrero de 2022
viernes, 11 de febrero de 2022
Translation of an article of Willy Tadeo Layug and Jesús de la Verdad in Diario Sur.
A sculptor intervenes in the carving of the Lord of Truth in his workshop in the Philippines.
Wilfredo
Tadeo-Layug, one of the leading names in sacred art in the Asian country, also
carved the Virgen del Sagrario de Carranque last year
The Lord of Truth,
from the Parish Group of Nuestro Padre Jesús de la Verdad before Caiaphas and
María Santísima del Sagrario, is already worshiping in the parish of San José
Obrero, in the Carranque neighborhood. The image, the work of Sevillian Mario
Zambrano from 2015, has been subjected to an intervention process, by the
Filipino sculptor Wilfredo Tadeo-Layug, with a workshop in the district of
Betis, in the province of Pampanga, and one of the leading names in the sacred
art from that South Asian country, who, previously, in 2020, executed the new
Virgen del Sagrario, which replaced the piece also carved by Zambrano.
As recalled by the
art historian and artistic adviser to the pro-brotherhood, José Manuel Leiva
Aldea, both effigy have been in procession until 2019. However, in the midst of
a pandemic, «the corporation decided to bet on the replacement of its Marian
owner and contacted the sculptor Willy Tadeo, who is the architect of the new
Virgen del Sagrario”, explains Leiva. Likewise, satisfied with the work of the
Filipino artist, the brothers decided to send the bust of Jesús de la Verdad to
the Philippines «so that he could finish the areas that the first author had
left unfinished, such as, for example, the back of the head, which he had a
mass in his hair that was amorphous and motionless”, points out the art
historian
On the other hand, the
restorers Miguel Ángel Robles Gálvez and Marta García Plaza have been in charge
of the body and the base. Thus, the task of both has consisted "in
adapting the bust to the body, finishing the body and the feet, making them
anatomically more correct, and changing body posture to give it a more real and
natural movement," explains Miguel Ángel Robles.
With regard to the
pedestal, the original one has been replaced by a new, larger one, made of pine
wood, and which has a carved inscription that reads 'Veritas'. "The
substitution was motivated after removing the stucco, since they showed very
poor assemblies that put the material stability of the image at risk,"
says Robles.
With regard to the
pedestal, the original one has been replaced by a new, larger one, made of pine
wood, and which has a carved inscription that reads 'Veritas'. "The
substitution was motivated after removing the stucco, since they showed very
poor assemblies that put the material stability of the image at risk,"
says Robles.
Lastly, the
restorers have applied re-polychrome and patination, similar to that of Layug
on the feet, which brings a character of unity to the whole image and restores
its devotional condition. In this way, the Truth and Tabernacle Parish Group
restores to worship a sculptural image "that could be considered
practically new, also counting on the adaptation of the original body, with
obvious anatomical deficiencies", concludes José Manuel Leiva.
At the end of the
work, it can be seen that the effigy "follows the postulates of
contemporary Cordovan imagery, specifically that of Francisco Romero Zafra,
with whom Willy Tadeo-Layug trained and with whom he maintains a close
friendship," adds Leyva, while commenting that the two headlines of Verdad
and Sagrario "create an aesthetic line that aims to be maintained over the
next few years with a view to growing as a brotherhood corporation," adds
the pro-brotherhood's artistic advisor.
The Lord of Truth,
who, like the Virgin of the Tabernacle, parades in the afternoon and evening of
Passion Saturday, represents the moment of the religious process in which Jesus
declares himself the Son of God in front of the High Priest Caiaphas, who he
rips his clothes in the presence of his father-in-law Anás and a Sanhedrin
soldier, a work that is also being carried out by Layug in his workshop in the
Philippines.
jueves, 10 de febrero de 2022
Translation of an article about Willy Tadeo Layug and Jesús de la Verdad, in the newspaper "El Español".
The Christ who came
from the Philippines: this is the remodeled image of Jesus of Truth, in Malaga
The Asian image
maker already made the image of the titular Mariana in 2020: "His dream
was to see a Virgin under a canopy in Andalusia."
Cross the Mediterranean;
traverse Syria, Iraq, Iran, Afghanistan, Pakistan, and India; pass through the
Bay of Bengal and, finally, fly over the Indochina peninsula. At first glance,
it may seem like the ideal trip for lovers of backpacking tourism. However,
this was the journey made by the image of Nuestro Padre Jesús de la Verdad,
from the Carranque parish group. The carving from Malaga has crossed half the
world with a destination set in the GPS: the Philippines. The reason? Place of
residence of Willy Tadeo Layug, the Asian artist in charge of intervening in
the cofrade carving.
David Santos is the
president of this association that began its journey in 2014. In statements to
EL ESPAÑOL from Malaga, he explains that they learned about the work of the
Filipino image maker thanks to the friendship he had with a brother from the
corporation. Santos recounts that, when the idea was proposed to him, it seemed
"a bit crazy": "The Philippines making an image for Malaga? He
had never heard that, but we talked to him, he told us that he knew Romero
Zafra and showed us his work Finally, we reached an agreement for him to make
us the Virgen del Sagrario."
After this
incorporation, they decided to undertake the integral intervention to the
carving of Christ. The bust and the hands of the image traveled to Pampanga in
September 2021: "We did not want to change the size, so we decided that he
would be the one to remodel it," says Santos. Miguel Ángel Gálvez Robles
and Marta García Plaza were in charge of finishing the body and restoring the
feet, as well as executing a new base. Regarding the result, he states that
they are "very happy because it has been widely accepted" by the
brothers and the people who have seen it.
osé Manuel Leiva,
known for his participation in the brotherhoods and parish groups, was the
point of union between this corporation and Willy Tadeo: "He and I are
friends on Facebook. We talk a lot and one day he told me that his dream was to
have a Virgin under a canopy in Andalusia. I told him that I was going to make his
dream come true, so I tried to convince Truth and Sagrario of the need to
incorporate his image as a headline," he says.
He says that the
artist is "a benchmark" in the Philippines, to the point of being the
author of the image that presided over the mass that Pope Francis officiated in
Manila before two million faithful. A friend of Romero Zafra and a great
connoisseur of the work of Juan Vega, Miñarro or Ruiz Montes, Leiva defines
Layug as a versatile author who sings, paints or reinterprets sacred art
through the cultural characteristics of his land: "The polychromes in his
work have a certain Asian influence, but he draws on the Andalusian
baroque", emphasizes Leiva.
What is the
explanation behind this project? For José Manuel there are two reasons. The
first, globalization: "There is the possibility of talking in real time
with someone from the other part of the world. When they told me that the
Philippines is very far away, I answered that 200 kilometers is also a long
distance." The other reason, providence: "I gave him my books on
ceramics and we began to talk. In 2021, five centuries of the Christianization
of the Philippines by Magellan, who arrived in 1521, were fulfilled; in
gratitude for that, he gave us the Virgin " .
Leiva points out
that this artistic exchange between Spain and Asia has been common in the past,
especially in Seville. "There are people who tell us that we've gone too
far, but you can't say no to a gift like that." As a sign of this
international link, the proclamation of the corporation for the year 2021 was
pronounced by Rosa Agüera, Philippine consul in Malaga.
"Willy has
been a Nazarene of the students of Seville. He knows all the brotherhoods of
Malaga, so as he comes I see him going from one place to another without giving
me a break. This shows that Malaga has a lot of names everywhere," he
says.
written by Juan Romera.
miércoles, 9 de febrero de 2022
Article about the works of Willy Tadeo Layug with Jesús de la Verdad y web La Horcina.
The Nao Victoria
was the first ship to circumnavigate the globe.
Being fulfilled this year 2022, the Fifth Centenary of the feat culminated by Juan Sebastián Elcano with the 18 survivors of the first circumnavigation of the world.
Notorious episode was that of the scales in the current Philippine Islands, creating a trade route with the Hispanic territory that would remain during the following centuries. So this boat, titled Santa María de la Victoria, in memory of the patron saint of Malaga, Returns to Spain again -coincidentally at the present time there is a replica in the Port of Malaga- and from the Philippines comes a work of art that aims to increase the, already extensive, brotherhood heritage of Malaga.
The famous Filipino sculptor Willy Tadeo-Layug, with whom he had previously collaborated previously the Truth and Tabernacle Parish Group (San José Obrero Parish) of the Malaga neighborhood of Carranque, has delivered a piece on which he has been working in the last few months.
The work in question is a Christian sculpture that represents the moment of Religious process, in which Jesus declares himself Son of God in front of the High Priest Caiaphas, who tears his clothes in the presence of his father-in-law Annas and a soldier of the Sanhedrin (work that is also being done by Layug).
The original making of the piece was carried out by Mario Zambrano from Seville in 2015, procession through the streets of Malaga until 2019. However, on the occasion of
the pandemic, the corporation decided to bet on the replacement of its owner Mariana given the null artistic quality of it, then contacting the Filipino sculptor Willy
Tadeo-Layug, being the architect of the new Virgen del Sagrario. Also, happy with the work of the Filipino artist, it was decided to send the bust of Jesus of Truth so that
finished the parts that the first author had left unfinished, such as the back of the head, which had a mass in the amorphous hair and without movement.
In relation to the activities of adaptation and completion of the image, the artist sculptor Willy Tadeo-Layug was in charge of restructuring and correcting anatomical both of the bust and of the hands, including the re-polychrome and patinated of these parts offering a more human look. The image maker Layug in addition to have notably improved the physiognomy of the image's face, which lacked
no artistic interest, has removed part of the thick lock of hair on the right side that It prevented the correct vision of the face.
On the other hand, the restorers Miguel Ángel Robles Gálvez and Marta García Plaza. They were in charge of the body and its base; These tasks include:
adaptation of the bust to the body, the finishing of the body and the feet making them anatomically correct and the change of body posture to give it a more real and natural movement. Regarding the base, it was replaced by a new one larger, in pine wood and with a carved inscription that reads
"VERITAS”; the substitution was motivated after removing the stuccoes and they showed some very poor assemblages that put the material stability of the image at risk.
Finally, the restorers carried out the repolychrome and patinated, similar to that of Layug in the feet, which brings a character of unity to the whole image and restores the condition devotional
In this way, the Truth and Tabernacle Parish Group restores to worship an image sculpture that could be considered practically new, also counting on the adaptation of the original body, with obvious anatomical deficiencies, thanks to the work of the aforementioned restorers.
The new effigy follows the postulates of contemporary Cordovan imagery, specifically Francisco Romero Zafra, with whom Willy Tadeo-Layug trained and with who maintains a close friendship. In fact, the Filipino recently acquired a Dolorosa by Romero Zafra, which he currently exhibits at his residence on the continent Asian. Thus, the two holders of Truth and Tabernacle create an aesthetic line that aims to stay for the next few years with a view to growing as a corporation brother.
They sign: - José Manuel Leiva Aldea (Art Historian)
- Miguel Ángel
Gálvez Robles (Musician and Restorer)
Trono de la Virgen del Sagrario para la participación de la cofradía de Nueva Esperanza en el viacrucis extraordinario de la Agrupación.
Hoy se ha hecho público por la hermandad de Nueva Esperanza, que el cajillo del trono de orfebrería de la Virgen del Sagrario servirá de andas para las imágenes del Nazareno del Perdón y la Virgen de Nueva Esperanza en el viacrucis magno que tendrá lugar el próximo sábado 5 de marzo de 2022. Las proporciones del mismo permiten su salida desde la parroquia de Santa Ana y San Joaquín así como su entrada en la Catedral.
Estamos, por tanto, ante un doble hecho histórico. En primer lugar, la entrada conjunta de ambas imágenes en la Catedral y en segundo lugar, la colaboración de un humilde grupo parroquial, de manera indirecta, en la celebración del Centenario de la Agrupación de Cofradías, lo que verifica la buena sintonía que hay entre hermandades y grupos parroquiales.
Como curiosidad en la foto se aprecia la Virgen del Sagrario entronizada en 2021, con las antiguas barras de palio salomónicas que fueron antes del antiguo trono de la Virgen de Nueva Esperanza.
martes, 8 de febrero de 2022
Sones musicales de la A M Virgen de la Esperanza de Alcalá la Real para Jesús de la Verdad.
En pasadas fechas se firmó el contrato para el acompañamiento musical del trono de Jesús de la Verdad. Será la primera vez que una banda de Alcalá la Real venga a Málaga.
lunes, 7 de febrero de 2022
Sones musicales de la banda de la Esperanza, para la Virgen del Sagrario el Sábado de Pasión de 2022.
Hoy lunes ha tenido lugar la firma del contrato para la Semana Santa de 2022.
sábado, 5 de febrero de 2022
Visita a Málaga del prestigioso escultor y ceramista Jose Antonio Rivas.
En la tarde de ayer viernes, el reconocido artista de Cómpeta, Jose Antonio Rivas (en el centro de la foto) realizó una visita por distintas iglesias de la ciudad de Málaga, con ruta cerámica incluida. Asimismo visitó la parroquia de San José Obrero en Carranque para ver de primera mano las dos imágenes gubiadas recientemente por el filipino Willy Tadeo Layug.
Rivas alabó la calidad artística de las imágenes de Verdad y Sagrario, además de la grandiosidad y luminosidad del templo de Carranque, no descartándose en un futuro que alguno de sus reconocidos trabajos pueda disfrutarse en Málaga capital.
Intensa jornada de albacería en Verdad y Sagrario
En la mañana de hoy sábado ha tenido lugar una intensa jornada de limpieza y preparación de enseres y tronos procesionales con vistas a la esperada Semana Santa de 2022. En la foto pueden verse diversos hermanos del grupo parroquial en esta tarea.
jueves, 3 de febrero de 2022
Cera tiniebla para el Crucificado de Carranque.
Como novedad, dos cirios de color tiniebla iluminan la capilla en la que se venera el Crucificado del Perdón en su Agonía (José Martín Simón, 1938), antiguo titular de la cofradía de la Agonía y las Penas, la cual ha proporcionado generosamente la cera para tal ocasión y poder contemplar su estética renovada en nuestra parroquia.
miércoles, 2 de febrero de 2022
martes, 1 de febrero de 2022
Suscribirse a:
Entradas (Atom)